Jude the Obscure Summary: Hardy's Last and Bleakest Novel Explained
Share
What it is about
Jude the Obscure began as a magazine serial in December 1894 and appeared in book form in November 1895, though the title page is dated 1896. It was Thomas Hardy's fourteenth and final published novel. The story follows Jude Fawley, a working-class young man from a village in southern England, part of Hardy's fictional county of Wessex. Jude is a stonemason. What he wants is to be a scholar.
The city he fixes on is Christminster, modelled on Oxford. Jude teaches himself Classical Greek and Latin in whatever hours he can find, while working in his great-aunt's bakery, hoping the study will carry him into the university. Before he can attempt it, he is seduced by Arabella Donn, a coarse and superficial local girl who traps him into marriage by pretending to be pregnant. The marriage fails. Arabella leaves him and later emigrates to Australia, where she enters a bigamous marriage.
Jude moves to Christminster and keeps himself as a mason, studying alone and still hoping for admission. There he meets his cousin Sue Bridehead, free-spirited and quick-minded, and falls in love with her. Almost immediately he introduces her to his former schoolteacher, Mr Phillotson, who helps her train as a schoolteacher herself and persuades her to marry him, despite being some twenty years older. Sue regrets it quickly. She loves Jude, and she is horrified by the idea of sex with her husband.
From there the novel becomes a long argument with the institution of marriage. Sue asks Phillotson to let her go, and he agrees once he understands how unwilling she is. The scandal of a husband releasing his wife to another man costs Phillotson his career as a schoolmaster. Jude and Sue live together without a sexual relationship for a time, because of Sue's dislike of both sex and marriage. Arabella reappears, having fled her Australian husband, a Sydney hotel manager, which tangles everything further.
The main characters
Jude Fawley is the self-taught outsider. His ambition is genuine and his learning is real, but every door he knocks on belongs to a world that was never going to let him in. He is also naive, and that naivety is what Arabella and later circumstance keep using against him.
Sue Bridehead is the more modern of the two, intellectually independent and openly sceptical of convention. She is also the one who suffers most from her own contradictions. She rebels against the church and against marriage, then finds she cannot live with the consequences.
Arabella Donn is the pragmatist. She marries for advantage, lies when it suits her, and returns whenever Jude's life has settled. Richard Phillotson is the quiet tragedy of the book, a decent man whose single act of generosity destroys his standing.
There is one more. Arabella reveals that she bore a child of Jude's eight months after they separated, and sends the boy to his father. He is also named Jude, and nicknamed "Little Father Time" for his unnatural seriousness.
The themes
Class and education sit at the centre. Jude's exclusion from Christminster has nothing to do with ability and everything to do with birth. Hardy makes the university a shut gate rather than a ladder.
Marriage is the second great subject. Legal marriage in the novel is a contract that binds people who should not be bound and separates people who should not be separated. Arabella's bigamy, Sue's revulsion, Phillotson's ruin and the couple's eventual divorces all press the same point.
Then there is social punishment. Jude and Sue eventually have two children together and expect a third, but living unmarried makes them outcasts. Jude's employers dismiss him over the relationship. The family drifts from town to town across Wessex looking for work and lodgings before returning to Christminster. Religion runs through all of it, less as comfort than as a system of guilt waiting to be triggered.
How it ends (spoilers)
Little Father Time concludes that he and his half-siblings are the cause of the family's suffering. The morning after they arrive back in Christminster, he kills Sue's two children and himself by hanging, leaving a note reading, "Done because we are too menny." Sue miscarries soon after.
Sue blames herself and turns back to the church she had rejected, deciding the deaths were divine punishment for her life with Jude. She returns to Phillotson and remarries him, allowing him sex as self-punishment. Jude, devastated, is tricked into remarrying Arabella after she plies him with drink. He makes one last desperate visit to Sue in freezing weather, falls seriously ill and dies within the year in Christminster, defeated in love and in scholarship alike. Sue has grown "staid and worn". Arabella does not mourn, and is already arranging her next husband.
Why it still matters
This was the last novel Hardy published, and it reads like a writer saying everything he had held back. The attack on marriage law, on class-bound education and on respectable cruelty is unusually direct for 1895. The book is painful by design, and that design is the point. Readers who want Hardy at his most unsparing, or who are interested in how Victorian fiction turned on its own society, start here.
