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The Best Gothic Books: 10 Classics and Modern Novels Worth Reading

Gothic fiction runs on ruined houses, buried secrets and people who cannot escape the past. This list gathers ten of the best gothic books, from the Victorian novels that built the genre to award-winning titles published in the last few years.

The selection is based on two things: standing and interest. Most of these appear on major lists such as the BBC Big Read, the Modern Library 100 or school and GCSE syllabuses, and several have been banned or challenged. The order reflects how much attention each title gets from readers browsing our shop, so the most-viewed books come first.

Each entry explains what the book is about and what makes it matter, so you can decide what to read next.

Dracula by Bram Stoker

Bram Stoker's 1897 novel is told through letters, diary entries and newspaper reports, with no single protagonist. It opens with English solicitor Jonathan Harker travelling to a Transylvanian castle to help Count Dracula buy a house near London, then follows the vampire to Whitby and the group led by Abraham Van Helsing who hunt him. Stoker wrote over a hundred pages of notes, drawing on folklore and history, and found the name "Dracula" in a history of Wallachia and Moldavia. Early reviewers split between praising its atmosphere and complaining it contained too much horror.

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Frankenstein by Mary Shelley

Mary Shelley began Frankenstein at 18, after Lord Byron suggested that he, Shelley, Percy Bysshe Shelley and John Polidori each try writing a ghost story. Victor Frankenstein builds a living creature from body parts taken from charnel houses and graves, then flees in horror from what he has made. The creature teaches itself to speak and read, is rejected by everyone it approaches, and turns on its creator. Published anonymously on 1 January 1818, it is now standard reading on GCSE English courses and appears on the BBC Big Read.

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Jane Eyre by Charlotte Brontë

Charlotte Brontë published Jane Eyre in 1847 under the pen name "Currer Bell". It follows Jane from an abusive childhood at Gateshead Hall, through the privations of Lowood School, to Thornfield Hall and her employer Edward Rochester, whose house holds a secret. The novel was the first to trace a protagonist's moral and spiritual development through intimate first-person narration, and critic Daniel S. Burt called Brontë "the first historian of the private consciousness".

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Wuthering Heights by Emily Brontë

Emily Brontë's only novel, published in 1847 under the name Ellis Bell, is set on the West Yorkshire moors between two estates and their families. The orphan Heathcliff is brought into the Earnshaw household, falls in love with Catherine, overhears half a conversation and disappears, returning years later with money and a plan for revenge. Contemporary reviews were polarised, and the book was controversial for its mental and physical cruelty and its challenge to Victorian morals. It is now considered one of the greatest novels written in English.

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Interview With The Vampire by Anne Rice

Anne Rice's 1976 debut is framed as an interview: the vampire Louis de Pointe du Lac tells a reporter the story of his 200-year life, beginning on a Louisiana plantation in 1791. Louis is turned by Lestat de Lioncourt, refuses to feed on humans at first, and later shares an uneasy household with the child vampire Claudia, who can never grow up. Rice wrote the novel shortly after the death of her young daughter Michele, who inspired Claudia. Critical reception was mixed at first, but the sequels became The Vampire Chronicles and the book was filmed in 1994 and adapted for television in 2022.

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The Yellow Wallpaper by Charlotte Perkins Gilman

Charlotte Perkins Gilman's 1892 short story takes the form of journal entries by a woman whose physician husband has confined her to an upstairs nursery for a rest cure. With nothing else to occupy her, she becomes fixated on the room's peeling yellow wallpaper and the figure she believes is trapped behind its pattern.

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The Picture Of Dorian Gray by Oscar Wilde

Oscar Wilde's only novel appeared in shorter form in Lippincott's Monthly Magazine in 1890 and at full length in 1891. Dorian Gray, painted by his friend Basil Hallward and tutored in hedonism by Lord Henry Wotton, wishes that the portrait would age in his place. The wish is granted, and the canvas records every cruelty while Dorian stays young.

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We Have Always Lived In The Castle by Shirley Jackson

Shirley Jackson's final novel, published in 1962, is narrated by eighteen-year-old Mary Katherine "Merricat" Blackwood, who lives with her sister Constance and ailing Uncle Julian in a large house the nearby village despises. Six years earlier most of the family died of arsenic poisoning at dinner, and Constance was tried and acquitted. The arrival of cousin Charles disturbs their careful routine. It has been described as Jackson's masterpiece and was adapted for the screen in 2018.

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Mexican Gothic by Silvia Moreno-Garcia

Silvia Moreno-Garcia's 2020 novel sends socialite Noemí Taboada from Mexico City to High Place, a decaying mansion in the mountains, after her cousin Catalina writes claiming her English husband is trying to poison her. What Noemí finds involves the Doyle family's history of intermarriage, a strain of fungus and a house that holds memories. It won the Aurora Award for Best Novel, the Locus Award for Best Horror Novel and the British Fantasy Award for Best Horror Novel, and Moreno-Garcia's writing has been compared to Daphne du Maurier and Guillermo del Toro.

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Rebecca by Daphne du Maurier

A young woman marries the wealthy widower Maxim de Winter after a fortnight's courtship and arrives at Manderley, his Cornish estate, where the housekeeper Mrs Danvers keeps the memory of the first Mrs de Winter alive. Du Maurier's 1938 novel sold 2.8 million copies between publication and 1965 and has never gone out of print. Hitchcock's 1940 film version won the Academy Award for Best Picture. It is remembered above all for Mrs Danvers, for Manderley itself and for its opening line.

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Taken together these ten books cover most of what the gothic does: the haunted house, the double, the monster, the woman shut in a room. Several are short enough to read in a sitting, and the older titles are widely available in cheap editions if you want to start at the beginning with Shelley or Stoker.

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